Orchestrations 2026-27

• November – ‘French’
  Lili Boulanger: D’un matin de printemps 5’ 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] — 4 3 3 1 — 2perc — hp — cel — str
  Debussy: La Mer 23’ 3[1.2.pic] 3[1.2.Eh] 2 4[1.2.3.cbn] — 4 5[1.2.3.crt1.crt2] 3 1 — tmp+3[or 4] — 2hp — str
  Interval
  Berlioz: Symphonie Fantastique 49’ 2[1.2/pic] 2[1.2/Eh] 2[1/Ebcl.2] 4 — 4 4[2tp, 2crt] 3 2[2oph] — 2tmp+4 — 4hp [doubling 2 real parts] — str
• January – ‘Prodigies’
  Fanny Mendelssohn: Overture in C 11’ 2 2 2 2 — 4 2 0 0 — tmp — str
  Strauss: Horn Concerto No.1 15’ 2 2 2 2 — 2 2 0 0 — tmp — str
  Interval
  Bizet: Symphony in C 27’ 2 2 2 2 — 4 2 0 0 — tmp — str
• Mar – ‘Forbidden Love’
  Schumann: Manfred Overture 12’ 2 2 2 2 — 4 3 3 0 — tmp — str
  Sibelius: Violin Concerto 35’ 2 2 2 2 — 4 2 3 0 — tmp — str
  Interval
  Tchaikovsky: Symphony No.6 46’ 3[1.2.3/pic] 2 2 2 — 4 2 3 1 — tmp+2 — str
• June – ‘The Sea’
  Bax: Tintagel 12’
  3(1.2.picc) 3(1.2.Eh) 3(1.2.bcl) 3(1.2.cbn) – 4 3 3 1 – timp+2 – hp – str
  Elgar: Sea Pictures 23’ 2 2 2 3[1.2.cbn] — 4 2 3 1 — tmp+2 — hp — opt org — str
  Interval
  Rimsky-Korsakov: Scheherazade 42’ 3[1.2/pic.pic] 2[1.2/Eh] 2 2 — 4 2 3 1 — tmp+5 — hp — str